Nativity of Our Lord (Christmas Eve and Day) in Year A (Ormseth10)

A Light Shining in the Darkness – Dennis Ormseth reflects on the Christmas Eve and Christmas Day readings.

Care for Creation Commentary on the Revised Common Lectionary

Readings for Christmas Eve, Years A, B, & C
Isaiah 9:2-7
Psalm 96
Titus 2:11-14
Luke 2:1-14 [15-20]

Readings for Christmas Day, Years A, B, & C
Isaiah 62:6-12 or 52:7-10
Psalm 97 or 98
Titus 3:4-7 or Hebrews 1:1-14 [5-12] Luke 2:[1-7] 8-20 or John 1:1-14

Introduction

The birth of Jesus is an occasion for great joy in the church. What we have hoped for and waited for, not just in the season of Advent but also in “all the years” of hope and fear, begins to be realized in this event. It comes naturally to us, therefore, to draw on great psalms of praise to give voice to this joy—Psalm 96 for Christmas Eve, Psalm 97 or 98 for Christmas Day, and Psalm 148 on the First Sunday after Christmas. What strikes this reader looking for the “green meaning” of Christmas is the expectation these psalms share, namely, that “all the Earth” will join with God’s people in these songs of praise. In remarkable unison, they give voice to nature’s praise. Using these psalms, therefore, the church embraces the notion that “all the Earth” joins our celebration of the birth of Jesus.

What are we to make of this notion of nature’s praise? Is it simply a poetic convention, in terms of which the psalmist imagines rather anthropocentrically that the non-human creation has voice and desire to sing such songs? In his book God and World in the Old Testament (Nashville: Abingdon Press, 2005), Terry Fretheim argues that commonly this kind of interpretation closes off important possibilities and denies the texts the full depth of their expressive thickness. The call for non-human creatures to voice their praise, he suggests, functions like metaphors for God that are drawn from nature. While there is obviously an aspect of “is and is not” in saying, for example, that “God is [like] a rock” or God is [like] a mother eagle,” in some measure these creatures do “reflect in their very existence, in their being what they are, the reality which is God.” The use of such natural metaphors “opens up the entire created order as a resource for depth and variety in our God language.”

Similarly, calling on natural entities to voice their praise draws “attention to the range of God’s creative work and hence God’s praise-worthiness.” Listing the creatures together, which occurs frequently, suggests the importance of both the individuality and the complementary nature of their praise. Each entity’s praise is distinctive according to its intrinsic capacity and fitness, with varying degrees of complexity, and yet each entity is also part of the one world of God, contributing its praise to that of the whole. The model of the symphony orchestra comes to mind, Fretheim suggests, and environmental considerations are immediately present as well. For if one member of the orchestra is incapacitated or missing altogether, the scope, complexity and intensity of the praise will be less than what it might otherwise be. Indeed, “environmental sensitivity in every age is for the sake of the praise of God and the witness it entails,” and it has “implications for God’s own possibilities in the world.” In fact, the responsiveness of the creatures to the call to praise is itself a factor in the realization of these possibilities. In their interaction with God, the creatures can become “more of what they are or have the potential of becoming” (Fretheim, pp. 255-9).

Our purpose in the following comments on the readings for the Nativity of Our Lord here, and for the First Sunday of Christmas subsequently, is to show how the use of these psalms in the celebration of the birth of Jesus brings into focus certain “environmental sensitivities” in the stories of Christmas. What is it in these stories, we ask, that might be seen to give rise to non-human nature’s praise, beyond human praising?

Christmas Eve

“O sing to the lord a new song;
sing to the lord, all the earth.
Sing to the Lord, bless his name;
tell of his salvation from day to day.
Declare his glory among the nations,
his marvelous works among all the peoples.” (Psalm 96:1-3)

Praise and witness are here united, as “all the earth” joins in a song of praise and declares God’s glory among all the peoples. Indeed, perhaps only the full witness of “all the earth” is adequate to the challenge posed, if “all the people” are indeed to hear and join in praise of God. So we listen for the roar of the sea, and all that fills it; we watch for the field to exult, and everything in it, and “then all the trees of the forest sing for joy” at the Lord’s coming (Psalm 96:11-12). We note the complementary nature of the creatures called on to give praise: habitat and animals, in the sea and in the field, constitute natural harmonies; sea and land unite in a cantus firmus, as it were, with the trees making up the chorus. All Earth makes magnificent music, because the Lord is coming to judge the earth—meaning that the Lord will restore the good order of creation and teach the peoples how they might live in accordance with that order, indeed teach “the truth.”

Why exactly is this cause for nature’s joy? A key linkage between the psalm’s praise and the Gospel for Christmas Eve is in the contrasting metaphors of light and darkness. As we noted in comments on Isaiah 7:10-16, the first reading for the Fourth Sunday of Advent, the “darkness” in which people walk, is the “distress and hunger” they experienced looking out on the devastated Earth in a time of warfare between the nations. That is to say, the metaphor of “darkness” refers to more than a spiritual or moral condition; it points to the lived experience when the physical landscape has been disordered and its productivity destroyed by human sinfulness. So also with regard to the contrasting image of “the light.” Here the prospects for the people are reversed. As the nation is multiplied, the people rejoice as at the harvest. The people are freed from oppression; and the boots of the ‘tramping warriors” and all the bloodied garments of war are to be burned. The birth of a child initiates a lasting reign of peace with justice and righteousness. The cessation of violent destruction, coupled with the fulfillment of life as embodied in the promised reign of a wise and gracious king. All of this comprises the “light shining in the darkness.”

Borg and Crossan develop the parallel passage from darkness to light exhibited in Luke’s story of Christmas, reading it within the military, economic, political, and ideological contexts of Luke’s writing. The Emperor Augustus had brought peace to the lands around the Mediterranean Sea, bringing to a close a generation of civil war between the rival leaders of the Roman Republic. It had seemed as if the Empire “was destroying itself and ruining much of the Mediterranean world in the process of its own destruction,” Borg and Crossan comment (The First Christmas. New York: HarperOne, 2009, p. 61). With the great sea battle of Actium, however, the wars were over, and a long period of peace ensued. An inscription at Halicarnassus on the Aegean coast lauded Caesar Augustus, proclaiming that “land and sea are at peace and the cities flourish with good order, concord and prosperity.”

The false character of this imperial peace is suggested, however, by how the Roman legions enforced that peace in Palestine around the time of the birth of Jesus. Upon the death of Herod the Great in 4 BCE, Jewish rebels in several places rose to throw off Roman rule. A rebellion at Sepphoris, capital of Galilee and just a few miles north of Nazareth, was put down with typical violence. Roman legions from Syria captured the city, burnt it, and enslaved its inhabitants. What happened elsewhere no doubt became the fate of people from Sepphoris as well, Borg and Crossan suggest: “either there was timely flight to hiding places well known to the local peasantry, or its males were murdered, its females raped, and its children enslaved. If they escaped, the little they had would be gone when they returned home, because, as another rebel said, when you had nothing, the Romans took even that. ‘They make a desert and call it peace.’” Borg and Crossan speculate that Jesus would have been told the story of this destruction by his mother Mary, perhaps to help him understand why his father had disappeared.

Contrast this “darkness’ with the “light” of Luke’s story. The night of Jesus’ birth, Luke tells us, was filled with light all around. The shepherds on the hills above Bethlehem were engulfed in “the glory of the Lord” as a host of angels sing praise to God and proclaim “peace on earth among those whom he favors!” The shepherds, representative of the marginalized peasant class that experienced Roman oppression and exploitation most acutely, live on the hills with their herd, close to the earth. They come down to honor their newly born prince of peace, and thus do heaven and earth join in praise of God’s salvation. The story, Borg and Crossan suggest, is a subversive parable of how things should be—and how they will be when the kingdom of God displaces the reign of Caesar, when the eschatological peace with justice and righteousness supplants the Roman Empire’s “peace through victory.”

As an “overture” to the gospel, Luke’s Christmas story anticipates the full story of his Gospel. Rival kingdoms promise peace: peace through victory or peace through justice and righteousness, darkness or light. Who is the true prince of peace? The one who turns the land into a desert? Or the one whose admirers come from heaven and from the hills to join in united praise? The light shines in the darkness, and beholding the light, both sea and land and all their inhabitants join in a new song in praise of their Creator—with the singing trees making up the chorus!

Christmas Day

“Let the earth rejoice!” (Psalm 97:1). Clouds, thick darkness, fire, and lightning attend the arrival of the ruler whose throne is established on a foundation of righteousness and justice. So “the earth sees and trembles” (Psalm 97:2-4). “Make a joyful noise to the Lord, all the earth.” The sea and all that fills it will roar, joined by the world and all its inhabitants; the floods clap their hands and the hills sing for joy at the presence of the Lord, “for he is coming to judge the earth” (Psalm 98:4). Again today the church employs nature’s praise to celebrate the birth of Jesus. (For a discussion of the interpretation of nature’s praise, refer to our introduction on the readings for the Nativity of our Lord, above). And again our question is: What exactly gives rise to nature’s joy? What is the judgment that all the Earth awaits?

In the readings for Christmas Eve, the contrasting metaphors of light and darkness provided the link between the psalmist’s song of all the Earth and the Christmas story. The metaphor of a marriage covenant provides the link for these readings for Christmas Day: “You shall no more be termed Forsaken, and your land shall no more be termed Desolate, but you shall be called My Delight is in Her, and your land Married; for the Lord delights in you, and your land shall be married. (Isaiah 62:4). This verse is not actually part of the assigned scripture. It would be helpful to include it for the liturgical reading, since it provides the premise for what follows. The land clearly benefits from this covenant between God and the people of Israel. There will be grain to feed the people, and wine to be enjoyed by those who labored to produce it—an agrarian image of local agricultural practice, in which the land is cherished and lovingly cared for, contrasted with the desolated land characteristic of the economy of a foreign empire exploiting the land and denying the farmer its benefits (62:8-9). The passage exhibits a frequently noted consequence of God’s saving judgment, as summarized by Terry Fretheim in his God and World in the Old Testament: the “work of God with human beings will also positively affect the estranged relationship between human beings, the animals, and the natural orders more generally. Indeed . . . human salvation will only then be realized“(p. 196)Inclusion of the land in the benefits of the covenant makes it clear, as Fretheim puts it, that “God’s creation is at stake in Israel’s behaviors, not simply their more specific relationship with God” (  p. 165).

Our other scripture readings for Christmas Day share this premise, and extend the scope of the significance of Christmas. The selection from the Letter to the Hebrews says that the Son whose birth we celebrate is “appointed heir of all things,” and is the one “through whom the worlds are created, and by whom all things are sustained.” And the prologue of John, the climactic Gospel reading for this high feast of Christmas, anchors this divine embrace of creation in a three-fold, cosmic affirmation: The Word that is from the beginning, is the agent through whom all things come into being; he is life itself; and he “became flesh and lived among us.” Being, life, and human selfhood are the three great mysteries of the creation. The light shining in the darkness is primordial, cosmic light, which the darkness cannot overcome. As Norman Wirzba writes in The Paradise of God, “God becomes a human being and in so doing, enters the very materiality that constitutes creation. The home of God, rather than being a heaven far removed from our plight, is here” (pp. 16-17). Niels Henrik Gregerson captures the significance of this embodiment for modern readers in his concept of “deep incarnation:” Christ is incarnate in putting on not only human nature but “also a scorned social being and a human-animal body, at once vibrant and vital and yet vulnerable to disease and decay.” (Quoted by Christopher Southgate in The Groaning of Creation. Louisville: Westminster John Knox Press, 2008, p. 167).

So yes, “all the earth” has the profoundest reason to rejoice at the birth of Jesus: all things rejoice for what this event means, for both the human and non-human creatures. In Jesus, God embraces Earth absolutely and irrevocably. Every shadow of cosmic dualism is banished by the light of the Christmas gospel.

Originally written by Dennis Ormseth in 2010.
dennisormseth@gmail.com